Fungsi Reog Singo Wogro Dalam Suronan Di Desa Maitan Kabupaten Pati
DOI:
https://doi.org/10.31851/sitakara.v8i2.12805Abstract
The aim of this study discuss the function of Reog Singo Wogro in the Suronan Ritual of Maitan village, Pati regency, took two problems. The first talking about what is the form of Reog Singo Wogro in the Suronan ritual of Maitan village, Pati regency. The second talking about how is the function of Reog Singo Wogro in the Suronan ritual in Maitan village, Pati regency. The problems were analyzed by using theory of form from Sri Rochana and the theory of function uses theory of Soedarsono. This study uses qualitative data, the data of study were obtained through observation, interview, and literature review. The result of study shows that: Reog Singo Wogro consists of five parts, they are chanting mantras, Barongan dance, Jaranan dance, Gambyongan dance, and Bendrong. The form includes the structure and elements. Reog Singo Wogro has a function as a means of ritual, as a means of personal entertainment, and as an aesthetic presentation or spectacle that affects Maitan villager.
Keyword: Reog Singo Wogro, form, function
References
Edi Sedyawati. 1981. Pertumbuhan Seni Pertunjukan. Jakarta: Sinar Harapan.
Hartono. 1980. Reyog Ponorogo: Proyek Penulisan Dan Penerbitan Buku/Majalah Pengetahuan Umum Dan Profesi Departemen Pendidikan Dan Kebudayaan.
Koentjaraningrat. 1987. Kebudayaan Jawa. Jakarta: PN Balai Pustaka.
. 1984. Pengantar Ilmu Antropologi. Jakarta: Aksara Baru.
Langer, Suzanne K. 1988. Problematika Seni terj. F.X Widaryanto, Bandung: Akademi Seni Tari Indonesia Bandung.
Lenni Wulandari. 2018. “Bentuk Sajian dan Fungsi Sosial Tari Gatholoco Kelompok Seni Cipto Budoyo Desa Kembangsari Kecamatan Kandangan Kabupaten Temanggung,” Jurnal Greget Vol.17 No.2 (Desember 2018):177-183.
Maryono. 2015. AnalisaTari. Surakarta: ISI Press.
MD, Slamet. 2016. Melihat Tari. Surakarta: ISI Press.
Poewadarminto. 1988. Kamus Besar Bahasa Indonesia. Jakarta: Balai Pustaka
Rustopo. Gendhon Humardani “Sang Gladiator”. Yogyakarta: Yayasan Mahavhira, 2001.
Sal Murgiyanto, 1981. Koreografi. Jakarta: Dewan Kesenian Jakarta.
Soemaryatmi dan Suharji. 2015. Sosiologi Seni Pertunjukan Pedesaan. Surakarta: ISI Press.
dkk. 2020. “Angguk Warga Setuju Sebagai Tari Ritual Desa Bandungrejo Kecamatan Ngablak Kabupaten Magelang,” Jurnal Gelar Vol.18 No.2 (Desember 2020):62-64.
Soedarsono. 2022. Seni Pertunjukan Indonesia Di Era Globalisasi. Yogyakarta: Gama Press.
. 1978. Pengantar Dan Pengetahuan Komposisi Tari. Yogyakarta: Akademi Seni Tari Indonesia Yogyakarta.
. 1975. Elemen-elemen Dasar Komposisi Tari. Yogyakarta: Lagaligo Untuk Fakultas Kesenian Institut Seni Indonesia Yogyakarta.
. 1985. Peranan Seni Budaya Dalam Sejarah Kehidupan Manusia Kontinuitas Dan Perubahannya. Yogyakarta: Universitas Gajah Mada.
Widyastutieningrum, Sri Rochana. 2007. Tayub di Blora Jawa Tengah. Surakarta: ISI Press.
. 2011. Sejarah Tari Gambyong; Seni Rakyat Menuju Istana. Surakarta: ISI Press.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Yheni Aprilia Susanti
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
1. License
Use of articles will be governed by the Creative Commons Attribution - ShareAlike license as currently displayed on Creative Commons Attribution - ShareAlike 4.0 International License (CC BY-SA)
The author warrants that the article is original, written by stated author(s), has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author(s).
Jurnal Sitakara's spirit is to disseminate articles published are as free as possible. Under the Creative Commons license, Halaman Olahraga Nusantara permits users to copy, distribute, display, and perform the work. Users will also need to attribute authors and Jurnal Sitakara on distributing works in the journal and other media of publications.
4. Rights of Authors
Authors retain all their rights to the published works, such as (but not limited to) the following rights;
1. Copyright and other proprietary rights relating to the article, such as patent rights,
2. The right to use the substance of the article in own future works, including lectures and books,
3. The right to reproduce the article for own purposes,
4. The right to enter into separate, additional contractual arrangements for the non-exclusive distribution of the article's published version (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal Sitakara.
5. Co-Authorship
If the article was jointly prepared by more than one author, any authors submitting the manuscript warrants that he/she has been authorized by all co-authors to be agreed on this copyright and license notice (agreement) on their behalf, and agrees to inform his/her co-authors of the terms of this policy. Jurnal Sitakara will not be held liable for anything that may arise due to the author(s) internal dispute. Jurnal Sitakara will only communicate with the corresponding author.
6. Royalties
Being an open accessed journal and disseminating articles for free under the Creative Commons license term mentioned, author(s) aware that Jurnal Sitakara entitles the author(s) to no royalties or other fees.
Sitakara Jurnal oleh http://univpgri-palembang.ac.id/e_jurnal/index.php/sitakara dilisensikan di bawah Lisensi Internasional Creative Commons Attribution-ShareAlike 4.0 .