Cakil Mataraman Led Research
DOI:
https://doi.org/10.31851/sitakara.v9i1.14691Abstract
Penelitian bertujuan menemukan sebuh metode dalam penciptaan tari. Permasalahan penelitian adalah bagaimana bentuk Beksan Cakil Mataraman dan bagaimana proses penciptan Beksan Cakil Mataraman. Teori yang digunakan untuk menjawab bentuk mengunakan ilmu pembentuk tari Slamet Md yang terdiri dari unsur-unsur gerak, irama, ekspresi, busana, penari dan pola lantai, sedangkan proses penciptaan digunakan model practice led research. Model practice led research untuk menemukan metode yang tepat dalam sebuah penciptaan tari. Metode yang digunakan metode practice research. Hasil menunjukkan bentuk beksan Cakil Mataraman tersusun atas unsur gerak, irama, ekspresi, kostum, penari dan tempat pentas, sedangkan proses penciptaan menunjukkan led research yang meliputi dialog karya, pengamatan, eksplorasi, eksprerimen, perenungan, pembentukan dan pelatihan.
Kata Kunci: Beksan Cakil Mataraman; Led Research; Practice Research; Pembentukan
References
Anya Peterson Royce, The Antropology of Dance, Bloomington and London: Indiana University Press, 1977.
Copaland, Roger and Cohen, Marshal, What Is Dance?: Reading in Theory and Criticism, Oxford New York Toronoto Melbourne: Oxford University Press, 1983.
Ellfelt, Lois ,Dance from Magic to Art, Unitetd States of Amerika: Wm. C. Brown Company, 1976.
James P. Spardly, Culture and Conition Rules Maps and Plans, Chander Publiser Company, San Francisco, Scarton Toronto, 1972.
Keeler, Ward. Javanese Shadow Play, Javanese Selves. Princeton: Princenton University Press, 1987.
Martin, John, Introduction to the Dance, New York: Dance Hirizonz Republication, 1965.
McNIFF, Shaun, Art Based Reasearch, London and Philodelphia; Jessica Publisher
Ricklefs, R.C. Sejarah Indonesia Modern 1200-2004, Jakarta: PT Serambi Ilmu Semesta, 2007.
Rustopo, Gendon Humardani Pemikiran dan Kritiknya, Surakarta: STSI Press, 1991.
Sal Murgiyanto, Ketika Cahaya Mearah Memudar (Sebuah Kritik Tari), Jakarta : Deviri Ganan, 1993.
Sarjiwo. “Cara Pernafasan dan Gerak Torso dalam Tari Golek Menak Yogyakarta” dalam Jurnal Imaji UNY Vol. 5, No. 2, Agustus 2007: 196-204.
Selo Soemarjan, “ Kesenian dalam perubahan Kebudayaan”, dalam, Analisis Kebudayaan, Tahun I, nomor 2, Jakarta:Balai Pustaka, 1980.
Slamet, “Beksan Janaka Cakil” Tugas Akhir Penyaji Tari Fakultas Non Gelar Kesenian ISI Yogyakarta 1989.
Slamet MD, Melihat Tari, Surakarta, Citra Saint, 2016.
Smith, Hazel and T. Dean, Roger, Practice-led Reasearch, Reasearch-led Practice in the Creative Art, Ediburgh University Press, 2009.
Soedarsono, Djawa dan Bali, Dua Pusat Perkembangan Dramatari Tradisional di Indonesia, Jogjakarta: Gadjah Mada Press, 1972.
Soerjono Seokanto, Teori Sosiologi Pribadi, Jakarta : Ghalia Indonesia, 1984.
Sorjodiningrat, Babad lan Mekering Djoged Jawi, Jogjakarta,: Kol Buning, 1934.
Stern, Carol Simpson and Bruce Henderson. Performance: Texts and Contexts. New York: Longman, 1993.
Winarti, Tutik. “Tari Golek Gambyong Gaya Yogyakarta” dalam Resital: Jurnal Seni Pertunjukan ISI Yogyakarta Vol. 11 No. 1, Juni 2010: 69-80.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Slamet MD, Karyomo Karyomo
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
1. License
Use of articles will be governed by the Creative Commons Attribution - ShareAlike license as currently displayed on Creative Commons Attribution - ShareAlike 4.0 International License (CC BY-SA)
The author warrants that the article is original, written by stated author(s), has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author(s).
Jurnal Sitakara's spirit is to disseminate articles published are as free as possible. Under the Creative Commons license, Halaman Olahraga Nusantara permits users to copy, distribute, display, and perform the work. Users will also need to attribute authors and Jurnal Sitakara on distributing works in the journal and other media of publications.
4. Rights of Authors
Authors retain all their rights to the published works, such as (but not limited to) the following rights;
1. Copyright and other proprietary rights relating to the article, such as patent rights,
2. The right to use the substance of the article in own future works, including lectures and books,
3. The right to reproduce the article for own purposes,
4. The right to enter into separate, additional contractual arrangements for the non-exclusive distribution of the article's published version (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal Sitakara.
5. Co-Authorship
If the article was jointly prepared by more than one author, any authors submitting the manuscript warrants that he/she has been authorized by all co-authors to be agreed on this copyright and license notice (agreement) on their behalf, and agrees to inform his/her co-authors of the terms of this policy. Jurnal Sitakara will not be held liable for anything that may arise due to the author(s) internal dispute. Jurnal Sitakara will only communicate with the corresponding author.
6. Royalties
Being an open accessed journal and disseminating articles for free under the Creative Commons license term mentioned, author(s) aware that Jurnal Sitakara entitles the author(s) to no royalties or other fees.
Sitakara Jurnal oleh http://univpgri-palembang.ac.id/e_jurnal/index.php/sitakara dilisensikan di bawah Lisensi Internasional Creative Commons Attribution-ShareAlike 4.0 .