MILA ROSINTA DALAM PENCIPTAAN KARYA MATAYA INDONESIA
DOI:
https://doi.org/10.31851/sitakara.v10i1.16569Abstract
This research aims to describe the creation process of the dance work Mataya Indonesia by Mila Rosinta, a well-known young dance artist in Yogyakarta. Mataya in Sanskrit means dancing and Indonesia symbolizes the diversity of the archipelago. The research method used in obtaining data is using a qualitative approach. The data were collected through interviews and literature study. This study concludes that the work Mataya Indonesia is a creation dance work created since 2012. The idea and concept of this work takes the theme of unity in the diversity of Indonesia which is poured into a dance performance. The movement motifs are inspired by the traditional dance movements of each region in Indonesia. In the creation of this work, Mila Rosinta poured several important elements such as movement, floor patterns, music, makeup and clothing, property and lighting. As a young artist, Mila Rosinta hopes that the creation of this work can motivate dance artists, aspiring artists and the younger generation to be able to create a quality and meaningful work, and still love and preserve the diversity of cultures in Indonesia.
Keywords: Mila Rosinta; Dance Creation; Mataya Indonesia
References
Anasta, N. D. C., & Wijayati, D. K. (2021). Buku Panduan Guru Seni Tari untuk SMP Kelas VII. Pusat Kurikulum dan Perbukuan Badan Penelitian dan Pengembangan dan Perbukuan Kementerian Pendidikan, Kebudayaan, Riset, dan Teknologi.
Fajrianti, N. A., & Imtihan, Y. (2019). Komposisi Gerak pada Pertunjukan Kesenian Tari Petuk di Desa Sade Kabupaten Lombok Tengah. Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial-Humaniora, 2(2), 97–104. https://doi.org/10.31539/kaganga.v2i2.831
Iman Gunawan, B., Kawi, & Fajaria, R. D. (2021). Proses Garapan dan Perwujudan Karya Tari Taleq. TANDIK: Jurnal Seni dan Pendidikan Seni, 1(2), 88–101. https://doi.org/10.33654/tdk.v1i2.1449
Indriyani, I. (2020). Strategi Pengelolaan Mila Art Dance School. JURNAL TATA KELOLA SENI, 6(1), 19–32. https://doi.org/10.24821/jtks.v6i1.4112
L, S., & Catur B, A. (2009). Khazanah Antropologi Jilid 1 untuk Kelas XI SMA dan MA. Pusat Perbukuan Departemen Pendidikan Nasional.
Mastra, I. W., & Pancawati, L. P. (2022). Elemen-Elemen Estetis Komposisi Tari. Wdyadharma: Prosiding Pendidikan Seni Drama, Tari, dan Musik, 1(1), 144–152.
Rahmadhani, I., & Rahmani, D. (2024). Koreografi Kala Takluk Karya Oky Bima Reza Afrita. Jurnal Sitakara, 9(1), 12–21. https://doi.org/10.31851/sitakara
Ratna, N. K. (2007). Sastra dan Cultural Studies: Representasi Fiksi dan Fakta. Pustaka Pelajar.
Rochayati, R. (2018). Gerak: Perjalanan Dari Motif Ke Komposisi Tari. Jurnal Sitakara, 3(1), 35–51.
Sugiyono. (2008). Metode Penelitian Pendidikan: (Pendekatan Kuantitatif, Kualitatif dan R & D) (Cet. 6). Alfabeta.
Wahyuda, Affandy, M., Dhimas. (2022). Slamet Diharjo Dalam Pelestarian Tari Lundoyo di Desa Kemiren. Jurnal Sitakara, 8(2), 269–278. https://doi.org/10.31851/sitakara
Daftar Narasumber
Mila Rosinta Totoatmojo, S.Sn., M.Sn. (35 tahun) Seniman, Koreografer, Founder Mila Art Dance School
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Aloysius Rama Ratuanak, Valentina Angella Christiyaningrum
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
1. License
Use of articles will be governed by the Creative Commons Attribution - ShareAlike license as currently displayed on Creative Commons Attribution - ShareAlike 4.0 International License (CC BY-SA)
The author warrants that the article is original, written by stated author(s), has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author(s).
Jurnal Sitakara's spirit is to disseminate articles published are as free as possible. Under the Creative Commons license, Halaman Olahraga Nusantara permits users to copy, distribute, display, and perform the work. Users will also need to attribute authors and Jurnal Sitakara on distributing works in the journal and other media of publications.
4. Rights of Authors
Authors retain all their rights to the published works, such as (but not limited to) the following rights;
1. Copyright and other proprietary rights relating to the article, such as patent rights,
2. The right to use the substance of the article in own future works, including lectures and books,
3. The right to reproduce the article for own purposes,
4. The right to enter into separate, additional contractual arrangements for the non-exclusive distribution of the article's published version (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal Sitakara.
5. Co-Authorship
If the article was jointly prepared by more than one author, any authors submitting the manuscript warrants that he/she has been authorized by all co-authors to be agreed on this copyright and license notice (agreement) on their behalf, and agrees to inform his/her co-authors of the terms of this policy. Jurnal Sitakara will not be held liable for anything that may arise due to the author(s) internal dispute. Jurnal Sitakara will only communicate with the corresponding author.
6. Royalties
Being an open accessed journal and disseminating articles for free under the Creative Commons license term mentioned, author(s) aware that Jurnal Sitakara entitles the author(s) to no royalties or other fees.
Sitakara Jurnal oleh http://univpgri-palembang.ac.id/e_jurnal/index.php/sitakara dilisensikan di bawah Lisensi Internasional Creative Commons Attribution-ShareAlike 4.0 .
.png)
