TARI BEDAYA WIWAHA SANGASKARA PERSPEKTIF WIRAGA WIRAMA DAN WIRASA
DOI:
https://doi.org/10.31851/sitakara.v7i1.7463Keywords:
Tari, wiraga, wirama, wirasaAbstract
Penelitian bertujuan untuk mendeskripsikan Tari Bedaya Wiwaha Sangaskara, dengan fokus pesrpektif Wiraga, Wirama, dan Wirasa. Metode penelitian yang digunakan adalah kualitatif yang bersifat deskriptif, untuk menguraikan hasil penelitian yang berupa aspek wiraga, wirama, dan wirasa yang tergambar dalam pertunjukan Tari Bedaya Wiwaha Sangaskara. Salah satu teori yang digunakan adalah dari Suryobrongto tentang filsafat joged mataram yang berkaitan dengan unsur wiraga, wirama, dan wirasa. Data-data dikumpulkan melalui teknik observasi, wawancara, dan dokumentasi dalam perolehan datanya dianalisis secara deskriptif. Kajian ini menyimpulkan bahwa, pada Bedaya Wiwaha Sangaskara wiraga dapat dilihat melalui ragam gerak atau motif gerak yang terdapat pada tari Bedaya Wiwaha Sangaskara. Disamping itu wiraga juga dapat dilihat melalui sikap dari seorang penari. Sikap dan gerak yang baik bagi penari dapat dilihat dari aturan dan kaidah-kaidah tari gaya Yogyakarta yang dilakukan penari. Kepekaan irama gending dan irama gerak yang dilakukan oleh penari Bedaya Wiwaha Sangaskara akan memiliki kesan luwes, pantes, mungguh dan resik.
References
Adshead, Janet. 1988. Dance Analysis Theory and Practice. London: Cecil Court.
Beck, William M.D. 1996. The EncyclopediaAmericana International Edition. DanburyConnecticui: Grolier in Corporated.
Dewan Ahli Yayasan Siswa Among Beksa. 1981. KawruhJogedMataram. Yogyakarta: Dewan Ahli Yayasan Siswa Among Beksa Yogyakarta.
Djelantik, A.A.M. 1999. EstetikaSebuahPengantar. Bandung: Masyarakat SeniPertunjukan Indonesia.
Condronegoro, Mari. S. 1985. Busana Adat Keraton Yogyakarta: Makna dan FungsidalamBerbagaiUpacara. Yogyakarta: Yayasan Pustaka.
Edi Sedyawati, ed. 1986. PengetahuanElementer Tari dan BeberapaMasalah Tari. Jakarta: DirektoratKesenianProyekPengembanganKesenian Jakarta, Departemen Pendidikan dan Kebudayaan.
EnsiklopediWayangPurwa (compendium). 1977. Jakarta: Departemen Pendidikan dan Kebudayaan.
Gray, Hendry F.R.S. 1901. The Classic Collection Edition. New York: Bountey Books.Hawkins, Alma M. 1965. Creating Through Dance. Englewood Cliffs: Prentice-Hall, Inc.
Heddy Shri Ahimsaputra. 2000. “WacanaSenidalamAntropologiBudaya: Tekstual, Kontekstual dan Post modernistisâ€, dalamHeddy Shri Ahimsa Putra (ed); Ketika Orang JawaNyeni. Yogyakarta: Galang Press.
Holt, Claire. 2000. MelacakJejakPerkembanganSeni di Indonesia. TerjemahanSoedarsono. Bandung: Masyarakat Senipertunjukan Indonesia.
Kaeppler, L. Adrienne Terjemahan Ben Suharto. 1971. Estetika Tari Tonga. Yogyakarta: Jurnal “Ethnomusicology†volume XV, No: 2.
Kngkin, Bondan.2015. “ TariBedayaLuluhPerspektifWiraga, Wirama dan Wiurasa†Skripsi S-1 FakultasSenipertunjukanInstitutSeni Indonesia Surakarta.
Kuswaji. 1981. “Busana Tari Klasik Gaya Yogyakarta†dalamMengenal Tari Klasik Gaya Yogyakarta. Yogyakarta: BidangKesenianPropinsi DIY.
Magnis, Susena, Fran. 1981. Etika Jawa: Sebuah Analisa FilsafatitentangKeibjaksanaanHidupJawa. Jakarta: Gramedia.
Suharto, Ben. 1997. “Paes AgengBeksaBedaya†Sebuah Kajian EstetikadalamHerusatoto, Budional. 1985. Simbolisme dan BudayaJawa. Yogyakarta: Heninda.
-----------. 1987. “PengamatanGambyongMelaluiPendekatanBerlapis Gandaâ€. KertasKerjadisajikandalamTemuWicaraEtnomusikologi III di Medan tanggal 2 sampaidengan 5 Februari 1987.
Supriyanto, 2000 “Transformasisebuah Teks UpacaraPernikahan Adat JawaDalamBedayaManten†Mudra JurnalSniPertunjukan volume 24 no 2 September
Downloads
Published
How to Cite
Issue
Section
License
1. License
Use of articles will be governed by the Creative Commons Attribution - ShareAlike license as currently displayed on Creative Commons Attribution - ShareAlike 4.0 International License (CC BY-SA)
The author warrants that the article is original, written by stated author(s), has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author(s).
Jurnal Sitakara's spirit is to disseminate articles published are as free as possible. Under the Creative Commons license, Halaman Olahraga Nusantara permits users to copy, distribute, display, and perform the work. Users will also need to attribute authors and Jurnal Sitakara on distributing works in the journal and other media of publications.
4. Rights of Authors
Authors retain all their rights to the published works, such as (but not limited to) the following rights;
1. Copyright and other proprietary rights relating to the article, such as patent rights,
2. The right to use the substance of the article in own future works, including lectures and books,
3. The right to reproduce the article for own purposes,
4. The right to enter into separate, additional contractual arrangements for the non-exclusive distribution of the article's published version (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal Sitakara.
5. Co-Authorship
If the article was jointly prepared by more than one author, any authors submitting the manuscript warrants that he/she has been authorized by all co-authors to be agreed on this copyright and license notice (agreement) on their behalf, and agrees to inform his/her co-authors of the terms of this policy. Jurnal Sitakara will not be held liable for anything that may arise due to the author(s) internal dispute. Jurnal Sitakara will only communicate with the corresponding author.
6. Royalties
Being an open accessed journal and disseminating articles for free under the Creative Commons license term mentioned, author(s) aware that Jurnal Sitakara entitles the author(s) to no royalties or other fees.
Sitakara Jurnal oleh http://univpgri-palembang.ac.id/e_jurnal/index.php/sitakara dilisensikan di bawah Lisensi Internasional Creative Commons Attribution-ShareAlike 4.0 .
